{"id":10,"date":"2026-09-29T14:06:37","date_gmt":"2026-09-29T14:06:37","guid":{"rendered":"https:\/\/dimitrimadimin.com\/index.php\/bronnen\/"},"modified":"2026-09-29T14:32:18","modified_gmt":"2026-09-29T14:32:18","slug":"bronnen","status":"publish","type":"page","link":"https:\/\/dimitrimadimin.com\/index.php\/bronnen\/","title":{"rendered":"Selected References"},"content":{"rendered":"\n

Studio Dimitri Madimin<\/p>

Selected references<\/h1>

Institutional records, interviews, programme documentation and release credits.<\/p><\/header>

The studio\u2019s biography and practice statement are based on the artist\u2019s own CV and portfolio. These public records provide additional context. A programme announcement documents a scheduled activity; it is not treated as an independent account of its completion.<\/p>

Institutional directory<\/p>

Studio Dimitri Madimin \u2197<\/a><\/h3>

DutchCulture<\/p>

Records the studio and the Compelled to be Here research programme at La Cl\u00ednica, Oaxaca, dated August 2022\u2013April 2023.<\/p><\/article>

Institutional biography<\/p>

Dimitri Madimin \u2197<\/a><\/h3>

Kunstinstituut Melly<\/p>

Documents the multidisciplinary practice, education, international presentation history and musical aliases.<\/p><\/article>

Institutional record<\/p>

Dimitri Madimin, residency 2017 \u2197<\/a><\/h3>

Embassy of Foreign Artists<\/p>

Confirms the April\u2013June 2017 Geneva residency in collaboration with the Mondriaan Fund and the Sugar Free research context.<\/p><\/article>

Funding record<\/p>

Internationalization design sector: 15 projects selected \u2197<\/a><\/h3>

Creative Industries Fund NL<\/p>

Describes Compelled to be Here as an exhibition, musical presentation and discussion programme developed with Dimitri Madimin in Oaxaca.<\/p><\/article>

Exhibition record<\/p>

Plantage Alkmaar \u2197<\/a><\/h3>

Stedelijk Museum Alkmaar<\/p>

Confirms the commission to make portraits of residents of Alkmaar, Suriname, for the exhibition of 26 November 2022\u201319 March 2023.<\/p><\/article>

Exhibition record<\/p>

By All Means Necessary \u2197<\/a><\/h3>

TENT Rotterdam<\/p>

Documents the installation, 11 September\u201314 November 2021, and the initiative by Dimitri Madimin and Philip Powel.<\/p><\/article>

Exhibition record<\/p>

Tools for Conviviality: Common Ground \u2197<\/a><\/h3>

Kunstinstituut Melly<\/p>

Dates the programme to 20 September 2024\u201314 September 2025. Credits Madimin with custom vinyl furniture and names him among the curators.<\/p><\/article>

Programme record<\/p>

Vinyl Confessions with Shauntell Baumgard and Tasha Slagtand \u2197<\/a><\/h3>

Kunstinstituut Melly<\/p>

Documents the 10 July 2025 programme and credits Philip Powel and Dimitri Madimin as curators.<\/p><\/article>

Programme record<\/p>

Common Ground Closing Party \u2197<\/a><\/h3>

Kunstinstituut Melly<\/p>

Records the 13 September 2025 conversation with Git Hyper and Tasha Slagtand, alongside the music programme.<\/p><\/article>

Programme record<\/p>

Artist talk in Nederland, word beter! \u2197<\/a><\/h3>

Amsterdam Museum<\/p>

Lists Madimin as a contributor to the 13 December 2025 artist talk at Beautiful Distress.<\/p><\/article>

Exhibition documentation<\/p>

Famiri Familie: exhibition panels \u2197<\/a><\/h3>

Amsterdam City Archives \/ National Archives of Suriname<\/p>

Credits Dimitri Madimin for a family-history contribution and audio; identifies the Madimin family among the lenders.<\/p><\/article>

Release record<\/p>

Beautiful Vases \u2014 Bordello Roses \u2197<\/a><\/h3>

Ruyzdael Music<\/p>

Dates the album release to 22 January 2021 and provides the songwriting credits for D. C. Madimin and P. T. A. van Wetten and individual tracks.<\/p><\/article>

Release record<\/p>

The Revolution Will Not Be Socialized \u2197<\/a><\/h3>

Ruyzdael Music<\/p>

Dates the track to 11 March 2020; credits spoken word to Shariff Simmons and music to Dr. Madimin.<\/p><\/article>

Interview<\/p>

Get Familiar: Writers On Wax \u2197<\/a><\/h3>

Patta<\/p>

Identifies Madimin as a Ruyzdael partner and describes preparations for the Museum of Graffiti presentation during Miami Art Week 2022.<\/p><\/article>

Interview, 23 February 2024<\/p>

Dimitri Madimin: The Storyteller \u2197<\/a><\/h3>

Im Fong Liu<\/p>

Discusses his working methods, the Alkmaar project, Ruyzdael and Sugar Free. Originally published in Dutch in ModMod.<\/p><\/article>

Article, 9 September 2026<\/p>

CHANGE in De Kring: One Night, One Poster \u2197<\/a><\/h3>

Im Fong Liu<\/p>

Documents the 2012\u20132017 programme and poster collaboration with Maarten Bertheux, and the renewed poster display in 2026.<\/p><\/article>

Historical reporting, September 2026<\/p>

Honderd jaar De Bazel: koloniale geschiedenis van het monument onder de loep \u2197<\/a><\/h3>

Historiek<\/p>

Reports on Madimin\u2019s research for De Koloniale Wereld; the exhibition is announced for March 2027, rather than a completed 2026 presentation.<\/p><\/article>

Heritage reporting, 15 September 2026<\/p>

100 jaar De Bazel \u2197<\/a><\/h3>

Erfgoed Magazine<\/p>

Describes the research and installation in development, and the announced programme on 4 October 2026.<\/p><\/article>

Programme announcement, 7 June 2026<\/p>

NAS herdenkt Internationale Archievenweek 2026 \u2197<\/a><\/h3>

De Ware Tijd, reproduced by Shoeket<\/p>

Names Mark Ponte and Dimitri Madimin as the speakers for the 10 June lecture on the NHM and the colonial world of 1926.<\/p><\/article>

Institutional report<\/p>

Annual report 2020 \u2197<\/a><\/h3>

CBK Zuidoost<\/p>

Identifies Dimitri Madimin as a jury member for Summer Salon Royale, alongside Esther Meijer and Marie-Claire Fakkel.<\/p><\/article>

Institutional publication<\/p>

DAS Theatre dossier \u2197<\/a><\/h3>

Amsterdam University of the Arts \/ DAS Theatre<\/p>

Names Madimin and Rana Hamadeh as artistic advisors to Claudio Ritfeld. It does not establish a permanent academic appointment.<\/p><\/article>

Artist record<\/p>

Exhibitions \u2197<\/a><\/h3>

Maya Rochat<\/p>

Lists the 2021 Universal Law of the Matrix installation and live performance at Westerpark, presented by Foam and ADE.<\/p><\/article>

Exhibition reporting, 17 September 2021<\/p>

Een Hip Hop weekend \u2197<\/a><\/h3>

Trendbeheer<\/p>

Discusses By All Means Necessary and the related video work with Sharrif Simmons at TENT.<\/p><\/article>

Programme record<\/p>

Vinyl Confessions with Shauntell Baumgard \u2197<\/a><\/h3>

Hiphophuis<\/p>

Credits the concept of Vinyl Confessions to Philip Powel and Dimitri Madimin.<\/p><\/article><\/div><\/section>

Image documentation<\/h2>

Portfolio images are reproduced from the artist-supplied CV \/ Artist Practice \/ Portfolio<\/em>, June 2026. Captions retain the documented work, location and date. Installation views, performance documentation and film stills are identified according to their source.<\/p>

The Sugar Free performance photograph is credited to Emmanuelle Bayart \/ waopa.ch. Other photographer credits are not specified in the supplied portfolio; authorship of the artwork is not used as a substitute for a photographic credit.<\/p>

  • compelled-oaxaca.jpg<\/strong> \u2014 Compelled to be Here, La Cl\u00ednica, Oaxaca, 2022. Exterior documentation reproduced from the artist\u2019s portfolio.<\/li>
  • by-all-means-portfolio.jpg<\/strong> \u2014 By All Means Necessary, TENT Rotterdam, 2021. Installation view reproduced from the artist\u2019s portfolio.<\/li>
  • universal-law-matrix.jpg<\/strong> \u2014 Universal Law of the Matrix, Foam \u00d7 ADE, Westerpark, 2021. Maya Rochat\u2019s installation and Dimitri Madimin\u2019s soundscape setting; artist\u2019s portfolio.<\/li>
  • revolution-film.png<\/strong> \u2014 The Revolution Will Not Be Socialized. Film still reproduced from the artist\u2019s portfolio, 2021 entry.<\/li>
  • stamps-2017.jpg<\/strong> \u2014 Stamps, 2017. Piezography on paper, 40 \u00d7 50 cm. Reproduction from the artist\u2019s portfolio.<\/li>
  • those-flags.jpg<\/strong> \u2014 Those Flags Offend Me, 2017. Recycled jute sacks. Documentation reproduced from the corresponding portfolio page.<\/li>
  • when-doves-fly.jpg<\/strong> \u2014 When Doves Fly, performance with Robert Machiri, Basel, 2017. Artist\u2019s portfolio.<\/li>
  • diaspora-motherland.jpg<\/strong> \u2014 Conflict of Diaspora and Motherland, with Albert Khoza, Geneva, 2017. Artist\u2019s portfolio.<\/li>
  • sugar-free-2016.jpg<\/strong> \u2014 Sugar Free, Zen Marie and Dimitri Madimin, Place des Nations, Geneva, 2016. Photograph: Emmanuelle Bayart \/ waopa.ch.<\/li><\/ul><\/div><\/section>

    Editorial notes<\/h2>

    The chronology distinguishes the 2020 music release of The Revolution Will Not Be Socialized<\/em> from its 2021 portfolio and exhibition context. Beautiful Vases<\/em> follows the label\u2019s January 2021 release date. For Learn to Love<\/em> and In Search for Passage pt. 2<\/em>, the 2020 CV dates are distinguished from the 2021 online publication dates.<\/p>

    When Doves Fly<\/em> follows the title in the illustrated portfolio; the short CV uses a different title. The Amsterdam City Archives project scheduled for March 2027 is presented as research in progress during 2026.<\/p>

    Original work and exhibition titles remain in their published language. Editorial descriptions are in English. Reference review: 29 September 2026.<\/p><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"

    Studio Dimitri Madimin Selected references Institutional records, interviews, programme documentation and release credits. The studio\u2019s biography and practice statement are based on the artist\u2019s own CV and portfolio. These public records provide additional context. A programme announcement documents a scheduled activity; it is not treated as an independent account of its completion. Institutional directory Studio […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dimitrimadimin.com\/index.php\/wp-json\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dimitrimadimin.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dimitrimadimin.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dimitrimadimin.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dimitrimadimin.com\/index.php\/wp-json\/wp\/v2\/comments?post=10"}],"version-history":[{"count":1,"href":"https:\/\/dimitrimadimin.com\/index.php\/wp-json\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":15,"href":"https:\/\/dimitrimadimin.com\/index.php\/wp-json\/wp\/v2\/pages\/10\/revisions\/15"}],"wp:attachment":[{"href":"https:\/\/dimitrimadimin.com\/index.php\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}