Studio Dimitri Madimin

Biography & chronology

Artistic practice, exhibitions, moving image, sound and curatorial work.

Dimitri C. Madimin

Dimitri C. Madimin is a Dutch-Surinamese visual artist, filmmaker, artistic researcher and curator based in Amsterdam. His practice spans more than twenty-five years and connects artistic production, postcolonial research and institutional collaboration. Educated at the Gerrit Rietveld Academie, with additional training in audio and film in the United Kingdom, he works across moving image, photography, installation, sound and performance.

Rooted in documentary practice and poetic speculation, Madimin’s work draws on fragmented archives, oral storytelling, embodied memory and lived experience. His projects connect personal narratives to the historical, political and economic structures through which migration, labour and cultural identity are shaped.

Archival research, fieldwork and collaborative production are integral to this approach. Working with historians, performers, musicians and local knowledge keepers, Madimin examines how colonial trade systems, plantation economies and displacement continue to shape contemporary social relations. Listening, exchange and the reconstruction of overlooked histories form an essential part of the artistic process.

His research is grounded in relationships between Suriname and the Netherlands and develops through international collaborations. The Sugar Free projects and the Geneva residency, the Oaxaca programme Compelled to be Here, and commissions and presentations in Dutch museums and archives provide distinct settings for this sustained inquiry. Each project is developed in relation to its historical sources, local context and participating communities.

Alongside his artistic work, Madimin contributes to curatorial programmes, cultural advisory processes and institutional development. Studio Dimitri Madimin provides the platform for this practice and its collaborations.

Research practice

Madimin’s research examines colonial infrastructures and their continuing presence in cultural, social and economic life. His methods combine archival study, fieldwork, oral history and artistic production across museums, archives and community settings.

De Laatste Verhaaldragers / The Last Chronicles is a sustained strand of this research. Through photography, interviews, sound and moving image, it addresses intergenerational knowledge and histories that are insufficiently represented in institutional archives. Related documentary work remains in development.

Practice chronology

2026—2010

Most recent first. Projects spanning several years appear under their starting year. Release dates and later presentations are identified separately. Dates and roles are drawn from the artist’s CV and portfolio, supplemented by the linked records. Updated 29 September 2026.

2026

Research

De Koloniale Wereld

Artistic research connecting Amsterdam, Java and Suriname through the history of Javanese indentured labour and the Nederlandsche Handel-Maatschappij. The installation is in development for the Amsterdam City Archives exhibition announced for March 2027.

Exhibitions

CHANGE — poster archive

A renewed presentation at De Kring of posters made with Maarten Bertheux for the CHANGE programme of 2012–2017.

Research

Archives for Justice

Lecture with historian Mark Ponte at the National Archives of Suriname, addressing the Nederlandsche Handel-Maatschappij and the colonial world of 1926.

2025

Curatorial

Amsterdam City Archives

Guest curator and artistic researcher. Research into colonial archives and migration histories. Ongoing role recorded in the artist’s 2026 CV.

Exhibitions

The Real Black Pete

Video installation listed in the artist’s CV for Nederland, word beter!, organised by Amsterdam Museum at Beautiful Distress. The exhibition ran from November 2025 into February 2026. The institutional programme also records Madimin’s participation in the artist talk on 13 December 2025.

Sound

Vinyl Confessions

Listening and conversation programme developed with Philip Powel in the context of Kunstinstituut Melly and Hiphophuis. The series examines musical records as sources of personal and shared cultural history.

2024

Exhibitions

Somethin’ Else / Common Ground

Vinyl installation within Tools for Conviviality: Common Ground at Kunstinstituut Melly. Madimin designed furniture for a collection of 5,000 records and was one of the programme’s curators. The related Vinyl Confessions series followed in 2025.

Exhibitions

Wan Liba, Wan Bon

Video installation at Stedelijk Museum Alkmaar, recorded in the artist’s 2026 CV. The work addresses relationships between Surinamese landscapes and diasporic identities.

2023

Research

Famiri Familie

Family-history and audio contribution to the exhibition developed by Amsterdam City Archives and the National Archives of Suriname. The exhibition documentation credits Madimin’s contribution and loans from the Madimin family.

2022

Exhibitions

The Last Chronicles / Plantage Alkmaar

Commissioned photography, moving portraits and video of residents of Alkmaar, Suriname, for Stedelijk Museum Alkmaar. The work brought contemporary lived experience into an exhibition examining the history of the former plantation.

Exhibitions

Compelled to be Here

Research and public programme at La Clínica, Oaxaca, developed with designer and curator Ramon Jimenez Cardenas. Exhibition, music and discussion situated research into colonial commodity routes within the specific context of southern Mexico.

Compelled to be Here, La Clínica, Oaxaca, 2022. Exterior documentation reproduced from the artist’s portfolio.

Sound

Writers on Wax: The Sound of Graffiti

Ruyzdael project connecting music, visual art and publishing. A contemporary interview describes the collaboration with the Museum of Graffiti during Miami Art Week and Madimin’s involvement as a Ruyzdael partner.

2021

Exhibitions

By All Means Necessary

Installation at TENT Rotterdam. Tracksuits printed with scenes from Renaissance painting place European representations of violence in dialogue with the treatment of hip-hop culture. Initiated by Dimitri Madimin and Philip Powel.

By All Means Necessary, TENT Rotterdam, 2021. Installation view reproduced from the artist’s portfolio.

Sound

Universal Law of the Matrix

Live soundscape collaboration with Maya Rochat for the Foam × ADE presentation at Westerpark, Amsterdam. The performance brought sound into dialogue with Rochat’s projected imagery and live painting.

Universal Law of the Matrix, Foam × ADE, Westerpark, 2021. Maya Rochat’s installation and Dimitri Madimin’s soundscape setting; artist’s portfolio.

Film

The Revolution Will Not Be Socialized

Film and music work with Sharrif Simmons, documented in the artist’s portfolio and in reporting on the TENT presentation. The music was released separately in March 2020.

The Revolution Will Not Be Socialized. Film still reproduced from the artist’s portfolio, 2021 entry.

Loads the Vimeo player on request.

Film

Learn to Love

Sabrina Starke music video. Direction: Dimitri C. Madimin. The artist’s CV dates the project to 2020; the official video was published in 2021.

Loads the YouTube player on request.

Film

In Search for Passage pt. 2

Bordello Roses video, directed by P. van Wetten and D. C. Madimin. Music by D. Madimin; vocals by P. van Wetten. The artist’s CV records the project in 2020.

Loads the YouTube player on request.

Sound

Beautiful Vases

Bordello Roses album by Dimitri C. Madimin and Pablo van Wetten, released through Ruyzdael Music. The release record provides the individual songwriting credits.

2020

Curatorial

DAS Arts / DAS Theatre

Artistic advisory work recorded in the artist’s CV. DAS Theatre documentation also identifies Madimin as an advisor to artist Claudio Ritfeld.

Curatorial

Summer Salon Royale

Jury member for the CBK Zuidoost exhibition, alongside Esther Meijer and Marie-Claire Fakkel.

Sound

The Revolution Will Not Be Socialized

Spoken-word recording with Shariff Simmons; music credited to Dr. Madimin. Released through Ruyzdael Music.

2017

Sound

Ruyzdael

Co-founder; creative director during the period recorded in the artist’s CV. Work across music production, visual culture and publishing.

Research

Embassy of Foreign Artists

Artist residency in Geneva, in collaboration with the Mondriaan Fund. Development of the Sugar Free research with Zen Marie and an international network of artists and performers.

Exhibitions

Sugar Free / Pungwe

Collaborative programme and performances addressing colonial histories through visual, sonic and performative research. Presentations included the BIG Biennale in Geneva.

Exhibitions

The Contract / Stamps

Performance and archival image work at De Bazel, Amsterdam. Stamps brings portraits of Javanese indentured workers into a contemporary artistic examination of colonial labour and commodity histories. Piezography on paper, 40 × 50 cm.

Stamps, 2017. Piezography on paper, 40 × 50 cm. Reproduction from the artist’s portfolio.

Exhibitions

Those Flags Offend Me

Soft sculptures made from recycled jute sacks, presented at Circuit, Lausanne, and Amsterdam City Archives. The work relates the circulation of material to the representational language of flags and banners.

Those Flags Offend Me, 2017. Recycled jute sacks. Documentation reproduced from the corresponding portfolio page.

Exhibitions

When Doves Fly

Performance with Robert Machiri in Basel, invited by PointPerf and Pro Helvetia. The work examines public rituals and political gestures. Title follows the illustrated portfolio.

When Doves Fly, performance with Robert Machiri, Basel, 2017. Artist’s portfolio.

Exhibitions

Conflict of Diaspora and Motherland

Performance with Albert Khoza at the Embassy of Foreign Artists, Geneva. An exchange of ritual actions addresses diaspora, cultural inheritance and the interpretation of identity.

Conflict of Diaspora and Motherland, with Albert Khoza, Geneva, 2017. Artist’s portfolio.

Curatorial

Royal Academy of Art, The Hague

Consultancy, as recorded in the artist’s CV.

2016

Curatorial

Lab Broedplaatsen

Project development, as recorded in the artist’s CV.

Curatorial

Nederlands Film Festival

Curatorial and consultancy work. The artist’s CV lists the role of head curator and consultant for this year.

Exhibitions

Sugar Free Accords

Performance and action with Zen Marie at Place des Nations, Geneva. A critical examination of the political language and ritual of international conventions.

Sugar Free, Zen Marie and Dimitri Madimin, Place des Nations, Geneva, 2016. Photograph: Emmanuelle Bayart / waopa.ch.

2013

Curatorial

City of Amsterdam

Consultancy and membership of the mayor’s creative team, as recorded in the artist’s CV.

2012

Sound

CHANGE

Music and visual programme at De Kring, Amsterdam, organised with Maarten Bertheux. The collaboration included a distinct poster for each edition.

Curatorial

North Sea Jazz Club

Creative direction and strategy, as recorded in the artist’s CV.

Curatorial

Andy’s Culture Market

Director of an interdisciplinary platform connecting art, performance and community programming.

2011

Curatorial

Amsterdam Film Week

Consultancy and programme development, as recorded in the artist’s CV.

Curatorial

Nuit Blanche / De Brakke Grond

Curatorial work at Vlaams Cultuurhuis De Brakke Grond, as recorded in the artist’s CV.

2010

Curatorial

SLAVE Arts and Culture Program

Founder, artistic director and director. An interdisciplinary platform for visual art, performance, film, music and public discussion.

Curatorial

Stichting Punt WG

Board member, as recorded in the artist’s CV.

Education & support

Gerrit Rietveld Academie, Amsterdam; further training in audio and film in the United Kingdom.

The artist’s CV records support across his practice from Nederlands Filmfonds, Amsterdam Fonds voor de Kunsten, Stimuleringsfonds, Mediafonds, Auteursbond, Mondriaan Fonds, VSB Fonds, Cultuurfonds, DutchCulture and Pro Helvetia.

Selected references and image credits →