Institutional directory
Studio Dimitri Madimin ↗
DutchCulture
Records the studio and the Compelled to be Here research programme at La Clínica, Oaxaca, dated August 2022–April 2023.
Studio Dimitri Madimin
Institutional records, interviews, programme documentation and release credits.
The studio’s biography and practice statement are based on the artist’s own CV and portfolio. These public records provide additional context. A programme announcement documents a scheduled activity; it is not treated as an independent account of its completion.
Institutional directory
DutchCulture
Records the studio and the Compelled to be Here research programme at La Clínica, Oaxaca, dated August 2022–April 2023.
Institutional biography
Kunstinstituut Melly
Documents the multidisciplinary practice, education, international presentation history and musical aliases.
Institutional record
Embassy of Foreign Artists
Confirms the April–June 2017 Geneva residency in collaboration with the Mondriaan Fund and the Sugar Free research context.
Funding record
Creative Industries Fund NL
Describes Compelled to be Here as an exhibition, musical presentation and discussion programme developed with Dimitri Madimin in Oaxaca.
Exhibition record
Stedelijk Museum Alkmaar
Confirms the commission to make portraits of residents of Alkmaar, Suriname, for the exhibition of 26 November 2022–19 March 2023.
Exhibition record
TENT Rotterdam
Documents the installation, 11 September–14 November 2021, and the initiative by Dimitri Madimin and Philip Powel.
Exhibition record
Kunstinstituut Melly
Dates the programme to 20 September 2024–14 September 2025. Credits Madimin with custom vinyl furniture and names him among the curators.
Programme record
Kunstinstituut Melly
Documents the 10 July 2025 programme and credits Philip Powel and Dimitri Madimin as curators.
Programme record
Kunstinstituut Melly
Records the 13 September 2025 conversation with Git Hyper and Tasha Slagtand, alongside the music programme.
Programme record
Amsterdam Museum
Lists Madimin as a contributor to the 13 December 2025 artist talk at Beautiful Distress.
Exhibition documentation
Amsterdam City Archives / National Archives of Suriname
Credits Dimitri Madimin for a family-history contribution and audio; identifies the Madimin family among the lenders.
Release record
Ruyzdael Music
Dates the album release to 22 January 2021 and provides the songwriting credits for D. C. Madimin and P. T. A. van Wetten and individual tracks.
Release record
Ruyzdael Music
Dates the track to 11 March 2020; credits spoken word to Shariff Simmons and music to Dr. Madimin.
Interview
Patta
Identifies Madimin as a Ruyzdael partner and describes preparations for the Museum of Graffiti presentation during Miami Art Week 2022.
Interview, 23 February 2024
Im Fong Liu
Discusses his working methods, the Alkmaar project, Ruyzdael and Sugar Free. Originally published in Dutch in ModMod.
Article, 9 September 2026
Im Fong Liu
Documents the 2012–2017 programme and poster collaboration with Maarten Bertheux, and the renewed poster display in 2026.
Historical reporting, September 2026
Historiek
Reports on Madimin’s research for De Koloniale Wereld; the exhibition is announced for March 2027, rather than a completed 2026 presentation.
Heritage reporting, 15 September 2026
Erfgoed Magazine
Describes the research and installation in development, and the announced programme on 4 October 2026.
Programme announcement, 7 June 2026
De Ware Tijd, reproduced by Shoeket
Names Mark Ponte and Dimitri Madimin as the speakers for the 10 June lecture on the NHM and the colonial world of 1926.
Institutional report
CBK Zuidoost
Identifies Dimitri Madimin as a jury member for Summer Salon Royale, alongside Esther Meijer and Marie-Claire Fakkel.
Institutional publication
Amsterdam University of the Arts / DAS Theatre
Names Madimin and Rana Hamadeh as artistic advisors to Claudio Ritfeld. It does not establish a permanent academic appointment.
Artist record
Maya Rochat
Lists the 2021 Universal Law of the Matrix installation and live performance at Westerpark, presented by Foam and ADE.
Exhibition reporting, 17 September 2021
Trendbeheer
Discusses By All Means Necessary and the related video work with Sharrif Simmons at TENT.
Programme record
Hiphophuis
Credits the concept of Vinyl Confessions to Philip Powel and Dimitri Madimin.
Portfolio images are reproduced from the artist-supplied CV / Artist Practice / Portfolio, June 2026. Captions retain the documented work, location and date. Installation views, performance documentation and film stills are identified according to their source.
The Sugar Free performance photograph is credited to Emmanuelle Bayart / waopa.ch. Other photographer credits are not specified in the supplied portfolio; authorship of the artwork is not used as a substitute for a photographic credit.
The chronology distinguishes the 2020 music release of The Revolution Will Not Be Socialized from its 2021 portfolio and exhibition context. Beautiful Vases follows the label’s January 2021 release date. For Learn to Love and In Search for Passage pt. 2, the 2020 CV dates are distinguished from the 2021 online publication dates.
When Doves Fly follows the title in the illustrated portfolio; the short CV uses a different title. The Amsterdam City Archives project scheduled for March 2027 is presented as research in progress during 2026.
Original work and exhibition titles remain in their published language. Editorial descriptions are in English. Reference review: 29 September 2026.